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_WedsizedWorkshop with Bill Tersteeg
Saturday, April 19, 2014, 10:30–4:00
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Please join us on April 19th for a hand building workshop led by Bill Tersteeg. Bill is an accomplished ceramic artist who will share unique hand building techniques as he demonstrates how to make and decorate a musical dragon. Because of their structure and length, the dragons can be used as musical horns, adding to their charm. (Several of Bill’s recent pieces will be on display in La Mano’s gallery during our April show.)

These dragons — standing as tall as 2 feet high — are sturdy cones of clay made without seams. This unique approach, which we have never seen in any hand building book or other workshop, has many applications that can enhance your own decorative or functional work. Bill will guide you step-by-step in making your own dragon and discuss how to apply these new techniques in other ways. Take home more than the dragon you will make — a new arsenal of hand building tips and techniques to add to your hand building skills.

All materials, including clay and tools, will be provided by La Mano Pottery, but you are welcome to bring along any favorite tools. Space is limited so make your reservation soon. You can sign up on line or call the studio to register or for more information: 212.627.9450

About the artist:

Bill Tersteeg owns Crystal Earth Gallery in Dalton, Pennsylvania. He is Professor Emeritus at Keystone College. His ceramic art — including many of his dragons — are included in numerous private and public collections both nationally and internationally.

To learn more about Bill Tersteeg and to see more of his work, visit www.williamtersteeg.com

LM-FebMarShow01Richard Stauffacher, Posey Bacopoulos, Jessie Lazar and DV Hirsch

In the gallery February 28March 29
Opening Reception: Friday, February 28th

We sat down with Jessie, Richard, DV, and Posey. Read below to find out more about each potter...

pbOval Box with Gold Decal
by Posey Bacopoulosf

What is Majolica?

POSEY: Majolica is a glaze tradition that began in the Middle East in the 9th century with a tin-opacified glaze. The majolica glaze is very smooth and white, which makes a good surface for decorating. The various colors are applied usually with a brush to the glazed surface to create the lively decorative patterns. The pots are then fired to cone 04 in an electric kiln.

Why did you choose majolica?

I choose majolica because I love to decorate. And that is what I enjoy most about the process.

What is your favorite tool?

My favorite pottery tool is my dagger brush that I use to make all the thin black lines in my decorations

dvDino Bird Daisy
by DV Hirsch

What do you hope to communicate with your art?

DV: I think that the only thing that I want to communicate and share with my work is a smile. That is their purpose. If someone looks at my creature and it tickles them, then I am thrilled and that is my biggest reward.

From a young child, I was taught and encouraged to work with my hands. I loved sewing, beading and clay and I was very lucky because my mom always made sure that if I had an interest in something then she would make sure that I had the supplies and books. Often, I would take a class to learn a new skill. Play dough was my earliest introduction to clay. Actually, I believe that my mom made a play dough like substance out of corn starch. I think that every child needs the active interest, encouragement and time from an adult to help them develop a passion for crafts because in this day and age it is just too easy for a child to zone on the computer or TV.

jlCeramic Bottles
by Jessie Lazar

Tell us about the pictures on your pots:

JESSIE: My drawings are fun and playful. If people look at my pots and smile, I feel I have succeeded.

What is your favorite pottery tool?

My silicon rib. It does the most things. It can be strong and soft and allows me to smooth the clay in order to become the canvas for my drawings and geometric patterns.

rsClose-up of Narwal Box
by Richard Stauffacher

What other artists inspire you?

RICHARD: As far as hand building is concerned, I really love the work of Shary Boyle and Beth Cavener Stichner, but I draw inspiration from all mediums. Lately, I've been spending a lot of time looking at Max Ernst's collages, Walton Ford's wildlife watercolors, and Luigi Serafini's surreal Codex Seraphinianus, all of which have all crept into my own pieces.

What is your favorite pottery tool?

Rubber-tipped clay shapers . I have a bunch in different shapes and pliability...they're indispensable.

January2014GalleryZachary Robinson, Stephanie Theado, and Mimi Young

January 17-February 16
Opening Reception: January 17 5:30-8pm

 

groupLa Mano's front gallery space is now featuring the work of Peggy Clarke, Diane Waller, and Julie Hadley.

The show will be up thru October 14th.