Author: La Mano

Doug Rochelle is the new Potter of the Month. His work will be featured in the front window for all of May.

 

Age: 43

Location: Long Island City

Occupation: General Manager 7A Café, East Village

Favorite Glaze: All or none

Current Book: Dead Souls by Nikolai Gogol

Best Recent Movie: Stranger Than Paradise

What inspires me? I like to learn new things, see and have life experiences. After which, I go to the studio, work on a sculpture and think about what I’ve watched, done, read, and listened to. Since I visit the studio right after my shift, I also think the sculptures reflect what I call “the madness and the mayhem” of working a New York City graveyard shift where fights, barf, homeless and drunks cyclone the edge. Occasionally after an unusually hectic night at the café I talk to myself as I draw, dig and scrape away at the sculpture.

Where does the imagery come from? I was thirteen. Much time was spent after school on the phone with my girlfriend. She talked about her celebrity crushes, her favorite teacher’s hairy legs and the cutest Kansas City Royal ballplayer (George Brett). While holding the phone I doodled all over the Yellow Pages. From these doodles, figures and heads emerged. In and out of college I did try all the other isms of art; Abstract Expressionism, Impressionism, Fauvism, and Surrealism but I was always drawn back to the doodle figure/head. I like sculpting heads. They are made of abstract shapes yet easily recognizable.

Why have I chosen to work in clay? In 1985 I took a ceramics course at Johnson County Community College. I don’t know why, I just couldn’t get into it. The clay did not call my name. However, in 1997 working on my B.F.A., I was making lithographs based on busts of Caesar and other ancient Greek and Roman emperors. I realized I would soon run out of images to copy. My solution was to make my own sculptures so I could continue the series of lithographs. Someday I would like to do more lithographs. Until then I make sculptures. My dream is to have a show with the sculptures in the middle of a gallery surrounded by the lithographs made from drawings of the sculptures.

Last, did you choose or were you chosen to create art? Initially I thought “I am going to be an artist!” was my choice. I have come to realize that art/creation is a force of nature. You can try to control it but eventually there is going to be a flood, an earthquake or volcanic eruption. I think the subject matter and media I use flows with nature.

Nic DeStefano is the April Potter of the Month.

Age:  34

Location:  Williamsburg, Brooklyn

Occupation:  Visual production//ceramics teacher

Favorite Glaze: Brady's Black

My interest with ceramics started in college where my main focus was on sculpture.  Clay was the medium I found most engaging and I chose ceramics as the concentration of my BS in Studio Art.  My work touches on a few disciplines but also crosses a range of ideas.  Generally my work retains a minimalist quality while exploring basic sculptural elements like shapes, textures and forms and is all hand built for the most part.

The vessels on the left in the picture are part of a series I've been working on for a while.  The basic form is a shape that I've found myself drawn to and one that I have repeated quite a bit in exploring texture and color variation.

The series of body parts is a conceptual work in progress.  Though quite sculptural the work was inspired by the idea that images of war are perversely 'sanitized for our protection'.  That more and more over the years the media has censored graphic images of death and destruction due to armed combat.  And the result of this sanitization is a reverse desensitization of sorts; where the everyday citizen makes no personal connection to media reports of deaths by war because they are not seeing the image of someone just like them blown to bits by a bomb.  My main argument for this concept is the events surrounding a war like Vietnam, where the everyday citizen was subject to, by far, the most disturbingly explicit images of war(while the war was happening) and in turn had what is most likely the largest mobilization of war protest by the American public.

The black "martini pitcher" set was something I made in response to a great show La Mano recently held called Pots That Pour: Teapots and Pitchers.  I had a lot of fun hand building the set and enjoyed creating the MOD elements that are part of the pieces.
The last image is of two pieces in a series of ultra-thin dish type vessels I've been making.  They are definitely more of a fun but delicate accessory type piece that can be used to hold anything from jewelry to a beautiful succulent or just as purely aesthetic decoration.

For just about a year and a half I've had the privilege of teaching a hand building class at La Mano.  I was excited at the opportunity and have enjoyed a very different experience in helping others bring to fruition their clay ideas as opposed to working on my own endeavors.  At the same time the single most appealing and challenging aspect I find with working in clay is the fact that the clay is the stuff of pure imagination.  One literally has the capacity to create almost anything they can conjure up in their head.  The challenge is sorting through those ideas and having the patience and drive to commit to making the work and the many trials that come along with refining your idea.  So helping my students flesh out their ideas and showing them the techniques they need to accomplish what they want is very rewarding.

Most of all I am grateful and blessed to be part of the warm and welcoming community of unique and amazing individuals that call La Mano home.  It's a special breed of people who find their way to clay (or is it the clay that finds them?), and to share the cathartic experience of making art, sharing life, and just plain having fun with folks I consider my family in clay.

Nic's work is on display through the month of April at La Mano in the store front window.

Bri Johnson is our Potter of the Month and her work is being displayed in the window. She works intricately with line design and her detailed work is admired by many in the studio.

Here is what Bri has to say about her work:

"For me, a piece isn't really "mine" unless it's been carved. I love carving. It puts me in that happy, creative, timeless place that all craftspeople search for. I get design ideas from all over the place-- museums, books, jewelry... one of my favorite designs is based on the insignia of a book publisher. I keep a sketchbook and mix them all together. I've been involved with pottery on and off since elementary school, and something feels "off" in my life when I go too long without getting my hands in some clay."

Richard's work is featured in the gallery this month.

He writes: "I find that clay has a really playful quality and working with it takes me back to my childhood.

"I draw a lot of inspiration from summers at the beach, camping trips, fishing off mt grandpa's boat and exploring the canyons behind our house. The broken dolls that frequently appear in my pieces are somewhat related to childhood as well, but in a more abstract way. For me, they embody the idea that throughout our lives we are always children, damaged to different degress by the experience of adulthood, but eternally capable of tapping into all of the wonder and joy of our youth."